
When Max Klaas first saw the light of day in 1993, nobody could have predicted that, only 13 years later, he would accept the world´s best percussionist Pete Locket´s invitation and that his exceptional talent would for the very first time be the subject of an article published in the drum magazine “Drums & Percussion”.
Rhani Krija also recognized the abilities of this young musician at a very early stage and has been Max Klaas´ percussion teacher since 2005.
Max can look back upon numerous successful CD productions and live concerts and may certainly look forward to an impressive career based on his talent, his down-to-earthness and his alertness.
Percussionist
Schlagwerk instruments always guarantee a great sound whatever musical style I perform in. Their immense variety in sound is another decisive reason for my playing Schlagwerk instruments.
My favourite cajon is Cajon La Perú® (burl wood). Very frequently, I also use the Cajonito because it easily integrates into my setup as well as Udu drums and Frame Drums, especially when playing in studios and while touring with the BundesJazzOrchester (directed by Steffen Schom) and the Royal Street Orchestra.
Jazz, pop, soul, hip hop, acoustic music, experimental music.
BundesJazzOrchester, WDR Big Band, Béatrice Thomas, Royal Street Orchestra, Paris Roubaix, Schäl Sick Brass Band
For my cajon, I most frequently use a Sennheiser boundary layer. I mic up my Udu and Frame Drums with overheads or a clamp mic.